Cloud Atlas, by David Mitchell

I had no idea what to expect from Cloud Atlas before I started reading it, and that’s the way I recommend experiencing the book. It’s a novel with striking similarities to Never Let Me Go, one of which is the pleasure of letting it unfold as it will, with no knowledge going into the reading of it. High praise, indeed, as Kazuo Ishiguro is one of my favorite authors, and I consider Never Let Me Go to be one of, if not the, best of his novels (The Unconsoled being the other main contender for that position). These are the type of book to savor as one goes, that leave the reader mulling the intricacies long after completing the novel. The less one knows about the content, the better, so I shall constrain my comments, and not mention the plot as such at all.

Not mentioning the plot leaves me with the writing itself. The writing itself is lovely; I agree with the critics that David Mitchell has a powerful command of the English language in written form. Each part of the book is lyrical and engaging in itself; taken together, the whole is an intricate puzzle. I had mixed reactions to the structure of the book. In the first half, the shifts are slightly jarring, but the lyrical prose draws you quickly and easily into each new segment. Once you know what to expect, each transition is a bit more smooth than the previous one. Still, I found the ending weak, and some of that was due to the constraint of the structure as established earlier on. Perhaps Mitchell is making a meta-point about history, and how we can only go as far as the foundation we’ve laid for ourselves in the past, that the limitations of the endings — of each segment, and the novel as a whole — bear out. Barring that, I’d say that the structure becomes less clever and more contrived through the second half of the book, and the engaging narratives get somewhat lost in the drive to wrap up. At the risk of giving away plot, the reliance on deaths as the vehicles for the end of narratives, a la Stephen King, contributed to my sense that the weak ending was simply weak, and not meant to be part of a grander commentary on the repetitive and inherently pointless nature of both novels and human history.

All that being said, the ending is not so weak as to diminish the general excellence of the book; it is one of the best I’ve read this year.

Cloud Atlas, by David Mitchell

The Omnivore’s Dilemma, by Michael Pollan

I finished reading The Omnivore’s Dilemma, by Michael Pollan, and promptly followed it with a viewing of Delicatessen. Conclusion: I will never eat meat again (and most certainly not in a dystopian Parisian wasteland, thankyouverymuch).

Ok, so, no, it wasn’t that simple. To start, I have made that vow before: I stopped eating meat 16 years ago, planning to never touch it again. Being lactose intolerant didn’t interfere with my grand plan too much: I lived happily on nuts, beans, eggs, and tofu, plus the varied goodness of the rest of the vegetable world. Then, five years ago, I was diagnosed with thyroid disease and stopped eating soy (only one of many life adjustments). I decided then to start eating wild-caught fish and free-range chicken; these two categories of meat balanced my concern for the quality of the animals’ lives, the economics of the meat industry, and my commitment to my own health relatively satisfactorily. Around the same time I discovered I have a shellfish allergy, so the insects of the ocean aren’t an option for me (it likely went undetected all of these years because of my childhood dislike of their appearance and my subsequent vegetarianism).

As I read The Omnivore’s Dilemma, I was acutely aware of the lines I’ve walked in balancing my own competing interests when making food choices. I have never been repulsed by meat itself, although I have been — and continue to be — repulsed by the most common practices of raising and slaughtering animals in the U.S. These practices are what drove me to stop eating cows, pigs, and chickens in 1991, and they have remained substantially the same. Pollan touches only briefly on the industrial practices of raising and slaughtering animals, drawing heavily on the assumption — accurate in my case — that the reader is familiar with them through works such as Fast Food Nation and The Jungle. Pollan also avoids issues related to workers — on farms, driving trucks, in supermarkets, at slaughterhouses, in restaurants — throughout the book, an omission that his somewhat contrived framing — tracing the source of four meals — makes easy. Throughout, his focus is on the individual eater, and the choices the eater as individual has to make, rather than on communal ethics or the collective responsibilities of civil society. I found this emphasis, along with his frequently glib and often smug rhetorical style, rendered the narrative less engaging and, at times, off-putting.

In terms of new information, I found the description of the small farm’s system of combining managed intensive grazing and poultry pasturing to be the most fascinating part of the book. No doubt my heightened interest stems from my family’s connections — historical and contemporary — to food farming, but it was also the only section of the book that wasn’t telling me something I was already familiar with (as was the case with the discussions of industrial agriculture, ‘big organic’ companies, and hunting or gathering). The main value of those sections was to confirm the choices I already make: to eat low on the food chain; to buy local, seasonal, and organic fruits and vegetables; to do without eggs or chickens unless they’ve been allowed to range freely and fed organic seed; to buy milk from a cooperative where the cows are pastured and not treated with antibiotics or growth hormones; and to avoid corn syrup and soy additives whenever possible. Of course, I’m not perfect, and my access to all of these foods isn’t either; I buy organic breakfast cereal imported from Canada, because I like it and because it’s the one with the largest amount of fiber and the smallest amount of sugar that I can find.

The book did highlight one dilemma for which I still haven’t arrived at a solution, that of what to do about the chickens: to eat, or not to eat? Non-industrially farmed meat is still both hard to find and hard to afford in many instances, and I don’t have the standard Midwesterner’s freezer in which to store large amounts of meat (which would lower the cost). Also, truthfully, I don’t think I could ever get used to handling and cooking pork or beef in my own house, and that probably means — in the ethics of looking your dinner in the face that Pollan describes — that I probably shouldn’t be eating it. Really, I have issues preparing any meat at home — we said an inordinate number of graces for the chickens we received through our farm share this winter — and I can’t imagine increasing my current consumption for that reason.

Thus, our introspective household has arrived at an uneasy balance exactly of the type that Pollan explores: every single meal is necessarily a compromise between our ethics regarding farming, labor, local economic, and environmental practices, and our ongoing commitment to our own health.

The Omnivore’s Dilemma, by Michael Pollan

Family Tree, by Barbara Delinsky

Family Tree is the only thing I’ve read by Barbara Delinksy. It caught my eye at the bookshop, and I borrowed it to have something to read on the bus. I didn’t expect much from it, and it delivered. The plot is one that has been cropping up in a lot of mass market fiction these days: white people discover they have African-American ancestors and all hell breaks loose. Much depends on the characters in these books, and in this one, the characters are very two-dimensional. Sensitive white liberal wife from humble roots embraces the possibility of a black ancestor; well-intentioned husband struggles with elitist and latently racist family norms in an effort to accept her and their obviously multiracial newborn, and then…plot twist! It’s the husband whose grandfather was black! Except that it’s an entirely obvious development, and not twisty at all.

I suspect I might have liked the novel better had it been written by a black person, as the author might then have chosen to omit various educational dialogues wherein the wife explains to the husband that he’s a hypocrite if he champions the rights of people of color in his professional life and then shuns their acquaintanceships socially (for example). The book would also have been better without the heavy-handed symbolism in the doll-playing of the biracial little girl next door or the periodic use of ‘African American’ as a noun, rather than as an adjective, which grated on me to no end.

Basically, if you’re a well-meaning white person who’s never considered the complex history of race in the United States, the myths we tell about it, the open secrets and interrelationships that constitute our cultural history, or the possibility that social hierarchies are categorically suspect, this book is for you! Otherwise, give it a miss and read some Nella Larsen.

Family Tree, by Barbara Delinsky

The Big Year, by Mark Obasmick

The Big Year, by Mark Obasmick, is my favorite book of those I’ve read so far this year. It was wonderful. I had no idea when I picked it up that it was going to be so rich, make me laugh so much, or push all kinds of achievement-anxiety buttons. What writing!

Here’s how much I got hooked on a journalistic account of three driven men chasing rare birds around North America in 1998: I didn’t just miss my stop on the Metro on my way to the bookshop, I got off the train at the wrong stop, transferred to another line on autopilot, and rode it all the way to my usual Tuesday stop, and didn’t realize I had gone to completely the wrong place until I looked at my watch at that stop and said ‘oh no, I’ve missed my bus! Wait…there’s no bus here…this is the wrong stop…I am in the wrong state…how did I get here?…this is not my beautiful wife….’ That’s how much I had to know how the year ended. Not even who won, but what happened: which birds did they finally get to see? Which mountains did they scale, which birds eluded them until the very end? Did they help each other? Did they not? Did one get to wipe that smug smugness off the face of the other?

I knew a few things about myself before picking up this book. Like, I get anxious when engaging publicly in things I’m not good at. Or, that I enjoy the thrill of seeing a new bird for the first time, and am comforted by seeing a favorite bird again. I had no idea, though, that those things would dovetail so neatly while reading this book. Midway through, I had to put the book down to be reassured that (1) I’m not ‘behind’ because I am 32 and only have a lifelist of 100 birds long, (2) I’m not a total failure because I can’t tell most shorebirds, warblers, or seabirds apart without agonizing over my Peterson’s, and (3) things are not going to fall apart if I don’t get on the internets right now and start planning trips to all of the places in the U.S. where you can see a bunch of birds at once that everyone knows about except me. That’s how well Obasmick captures the driven competitiveness — as well as the smug self-assuredness — of the kooky people and kooky challenge they’re undertaking.

Alongside the inferiority-complex-inducing narrative of the bird chasing and identifying — which was laced with so many resultant ludicrous situations and happenings that I nearly fell off my chair laughing at several key points — is a similarly engaging, but less anxiety-producing, narrative of the history of bird watching in the U.S. This side of the book is the balm, the soothing reminder that bird watching is an activity peopled by those who love birds and get a thrill out of seeing them and finding them, of all levels of skill or experience. Obasmick places these three men in their historical context, and in so doing creates a craving to read the other key narratives of bird chasing and Big Years: Kingbird Highway and Wild America.

Mostly, the book made me want to read less and bird more. Thankfully, spring is on its way.

The Big Year, by Mark Obasmick

The Boleyn Inheritance, by Philippa Gregory

Like many people this side of the Atlantic, I discovered Philippa Gregory when The Other Boleyn Girl came out in trade paperback. I enjoyed it greatly, and have since read almost everything that’s available over here (the whole Tudor-era series, the Tradescant duology, and the totally trashy Wideacre trilogy). While I still become totally engrossed in them, I haven’t enjoyed her most recent books as much as the first two in the series (The Other Boleyn Girl, and The Queen’s Fool). As she’s written more, she’s moved from the style of those first ones — where the best-known historical figures are at the sidelines of the main action — to a more simple retelling of the well-known stories of the wives of Henry VIII, and of Elizabeth I. Frankly, I didn’t find that as interesting, but I’m sure the fact that I know that history quite well contributed.

Gregory’s prose, however, is certainly enjoyable, and I have always found her books easy to read. This latest volume expands upon two main themes introduced in earlier books: (1) Henry VIII was frightfully mentally ill, and (2) all the women in the Tudor court were total tramps. If either of these propositions is a stunning shock, I apologize for the spoiler. I figure it’s hard to spoil the ending of historical fiction, though — I mean, we all know who got beheaded and who didn’t.

All in all, I’d rank The Boleyn Inheritance at the bottom of this series, behind the two gardener books (which I’d rank between The Queen’s Fool and The Virgin’s Lover in quality), but still above the totally trashy Wideacre trilogy. I can’t imagine that any of her books are worse than the totally trashy Wideacre trilogy, but I still haven’t read A Respectable Trade, so I can’t say for sure.

The Boleyn Inheritance, by Philippa Gregory