New Year’s Eve movie fest of flops

I had great plans to take advantage of Netflix’s online movie service to create a theme night for New Year’s Eve, when we watch movies in order to keep our minds off of how sleepy we’re getting as we wait for midnight to arrive. This year, the theme was going to be ‘World War II prisoners in Asia,’ with Empire of the Sun and Seven Years in Tibet. Not the most cheery theme, but I was convinced that these films were underrated gems full of derring-do and historical context that would be both engaging and educational. I can now say with some certainty that they’re not: they’re flops.

To be fair, we never even made it to the end of Empire of the Sun, let alone Seven Years in Tibet. Empire of the Sun was unbearable, and since that film has been largely recognized as Steven Spielberg’s Big Flop, we decided to believe that Seven Years in Tibet was probably actually Brad Pitt’s Big Flop as well and just give it a miss. Which is no doubt why they were both available for free online viewing.

Instead, we regrouped and watched The Princess Bride for the umpteenth time. It remains hilarious, in case you were wondering.

New Year’s Eve movie fest of flops

vacation : we arrive in Maine

On the Tuesday after Labor Day we drove up to Maine from Rhode Island. It was a beautiful day for a drive, and we weren’t expected at the house until the evening, so we stopped at several places along the way. At the Kittery Visitors’ Center, we picked up a number of leaflets about regional artists and a map of the state. We also staged a cute photo of me at the ‘Relax, you’re in Maine!’ sign, which was lost along with all the other vacation photos when I inadvertently reformatted the drives on the last day of the trip. (Which is to say: no illustrations, sorry.)

Our first off-highway detour was to the Maine Potters Market shop in Portland. I was hoping to find a piece or two to take back with us, however we didn’t find anything that fit into what I was looking for. We both really enjoyed Barbara Walch’s work, it was just more delicate that the general style of our house and art pieces. Of all of the pieces we saw, her set of three nesting bowls was the closest to something we’d use, for nibbly bits and the like.

The next jaunt was to Lisbon, for a visit to the Stained Glass (and Insect) Museum. The gallery is housed in a converted church, so there’s lots of space and light to be able to get a good look at the works on display. The basement is an active studio, and we saw several artists working on various pieces. The insect museum was a bit disappointing—I was expecting more of a Smithsonian-style live insect zoo or Harvard-style entomological collection—but probably more interesting if you visit the live tarantulas in the annex (which we did not). After the museum, we had lunch at Dr. Mike’s Madness Café just down the road. The sandwiches (I had egg salad) and pie (I had mixed berry) were great, and just what we needed to keep on keeping on. The purple vinyl seats and the guy who had two creme brulées and a glass of milk for lunch alone made it worth the trip.

Just before joining the Maine turnpike at Augusta, we stopped in to a Visitors’ Center advertised as having a selection of Maine arts and crafts. We were planning to continue from there on to Brahms Mount Textiles; after seeing a selection of their absolutely beautiful blankets at the Visitors’ Center, we decided to save it for another trip since we were unlikely to buy one as a souvenir on this trip. However, one of their hand-loomed cotton basketweave throws would nicely complement the hand-loomed wool herringbone throw we brought back from Ireland (after getting to see Eddie at work at his loom, which is a story for a different time, about a different vacation). We saw several more examples of local pottery in the shop, and I found a bag made from recycled sails to covet. What can I say, I like bags!

From here we just carried on through to the house, which we settled into relatively well despite arriving after dark. We took a few moments to check for wayward spiders and then headed over to Bar Harbor for some dinner. After considering several options, we settled on the relatively new Finback Alehouse, which had both beer (the regionally local Voodoo Porter) and chicken sandwiches. It doesn’t appear that the pub has a website, but in searching for it I did learn that the manager who got us through the door from the street ran into trouble a week later (along with a whole slew of other folks, mostly drunkards; the Mount Desert Island police report gives our local one a run for its money for humor value).

After dinner we walked down to the Main Street, nipped into the Acadia Shop for a look at their blueberry-themed merchandise, and then headed back to the house, where we laid out our clothes and set the alarm for 5am.

vacation : we arrive in Maine

Sonic Youth at the 9:30 Club

So, we saw Sonic Youth last night at the 9:30 Club. They were good; we were at the second of two sold-out shows and I’d guess a lot of the audience was repeaters. Except for the times when we were all focused on the woman in the opposite balcony who was first leaning over the railing in her bra, then getting in a fight with her (pretty obnoxious) boyfriend who was trying to control her, and then getting physically dragged out, we were all glued to the stage and happily nodding our heads in time. (We were old, tired, and in the balcony; plus, the band played some pretty mellow stuff.) The performance was solid; I suppose after sixteen albums and tours and thirty years of playing together you get to be pretty comfortable with each other. And, it was actually quite cool to see them produce all the funky sounds they’re known for, using their actual instruments rather than a Macbook.

Before this show, I hadn’t listened to Sonic Youth in fifteen years, and I’d definitely skipped all that 90s stuff (the phase when they became what someone called ‘more experimental’). Everything they played sounded vaguely familiar but I didn’t know any single song well enough to sing along; I don’t actually own any of their CDs despite recognizing their musical greatness. (If I hadn’t already lost my hipster card by not liking The White Stripes and finding The Mountain Goats to be atrocious, now would be the time for it to be recalled.) Which is to say, I can’t tell you what the set list was or how their live performance diverged from their studio recordings or whether the time that Kim had to swap out her instrument because she either broke a string or the tech brought the wrong one was a point when she was actually supposed to be playing.

You can, however, listen to the concert on NPR and answer all those questions for yourselves.

Sonic Youth at the 9:30 Club

Radio Golf at Studio Theater

One of our Christmas presents last year was a gift certificate for The Studio Theatre, on 14th Street just blocks from where we used to live. After investigating the shows playing this season, we chose Radio Golf, August Wilson‘s last play in his Pittsburgh Cycle, completed just before his death in 2005. I had heard of August Wilson’s plays—even before the Obamas flew to NYC to see one—but had never seen a performance. The show last weekend was obviously popular; the theater was sold out and we’d had to bump our chosen performance date back a few weeks in order to get four seats together. The seats were excellent, in the center of the second or third row; definitely worth the wait.

The play itself was superb and engrossing. The actors were completely convincing, and the characters could have been around the corner in an office in DC. Although questioning gentrification itself wasn’t the point of the play, I couldn’t help but notice the similarities to the dynamics that have been going on in DC for the past ten or fifteen years. Old houses being bought up for back taxes, poor and older black folks moving out of their neighborhoods to make way for high rise complexes with doormen and Starbucks ™ on the ground floor. Radio Golf takes that dynamic as the starting point and moves on to questions of ethics, of the ways in which these things move forward whether or not they are above-board in the beginning. The play succeeds at providing completely recognizable late-20th-century middle-class black characters while avoiding stereotypes. Wilson manages to convey the social context that produces the desire to move forward and never look back in a way that allows the audience to remain sympathetic even to the play’s less appealing character, the friend who is willing to be the black face that allows white investors to get a piece of the federal minority-headed project pie. Overall, it was a poignant example of how projects move beyond the control of the creator when big money becomes involved, and a reminder of why I wasn’t comfortable being part of this kind of revitalization by buying in similar areas in DC.

More than anything, Radio Golf made me want to see Wilson’s other plays, and I hope that a DC theater will start to perform the cycle again from the beginning. It’s rare to see such an insightful and accurate portrayal of city life balanced with both humor and compassion. Certainly, August Wilson’s talented eye and voice created the platform, but the five actors made the story come alive. We’ll definitely return for future productions.

Radio Golf at Studio Theater

Food, Inc. screening

A couple of weeks ago, we went to a pre-release screening of Food, Inc., downtown at the E Street Theater. We’d never been; it’s nice and worth the trip downtown to be able to see limited run films in a contemporary setting. Old theaters have a lot of charm, however there’s a lot to be said for being able to feel your kneecaps when you get up to leave.

The film itself was well done. There wasn’t much new information in it, although I was pleased to see that my favorite parts of Pollan’s book—the bit about the pastured chickens and the section about corn corn corn—were apparently everyone’s favorites, as they were the basis for a large segment of the film. I had a reaction similar to my response to The Omnivore’s Dilemma, which was to think that either I was even more unusual than I realized (there is at least one person in our household who is a proponent of this view) or the authors really misunderestimated their audience’s knowledge. In support of seeing the film even if you already know everything it’s telling you, it’s definitely more striking seeing an aerial view of factory cow farms and an up close view of chickens that are simultaneously too big and underdeveloped to be able to hold themselves up than just reading the book (or watching Chicken Run for the gazillionth time). It’s easy to see footage of bushels of potatoes rolling down assembly lines being cleaned and sorted and be lulled into an easy contentment about how nearly Jetson-like our current era is; it’s nearly impossible to do the same when the potatoes are chickens. Similarly, while reading anything about Monsanto is enraging, the segment covering their persecution of an old Hoosier over his seed-cleaning business made me feel more loyalty to where I grew up than ever before. Also, I wanted to fly back home and personally beat to death (this is hyperbole, FBI) the schmuck of a lawyer who was willing to get his minute of fame stating on camera that losing this case would set a terrible precedent, but wasn’t willing to see it through to the end pro bono. [Insert your favorite ass-word derived expletive here.] Yes, it’s true that every time I see an old guy operating somewhat arcane machinery I think of my grandfather, and that makes me sentimental; it’s also true that the Indiana I grew up in may look the same—miles and miles of corn and soybeans destined for industrial processing—but it’s been totally transformed socioeconomically by Monsanto and that idiotic Thomas-driven decision. (If you’re reading this, Supreme Court, that one is high on the list of ‘stupid things that never should have happened, that we can get down to work reversing just as soon as humanly possible.’)

Besides rousing my ire, only moderately soothed by having had the foresight to wear my ‘Food for people, not for profit!’ t-shirt from the UMD food coop, the film did a decent job of highlighting the way in which our food choices are about more than just the concentration of pesticides in our toddlers’ urine. They are about the way the workers who harvest our food are treated, the health of the communities uphill from the slaughterhouses and downstream from the CAFOs, the economic solvency of the farmers who buy the seeds and rent out the chickens, and the preservation of the natural variety that makes our ecosystems more resilient when faced with pests and disease. This is the part where my partner believes I’m the unusual one, because I think about all those things when I decide how to spend our money, and at this point I’m feeling pretty confident about our mish-mash of choices. I know that we are privileged to have the marginal income to choose to spend on food rather than cable TV, and still pay for health care as well. I know that, and I’m not talking about personal economic choices made by the working poor. I’m talking about the choice to take the time to cook something from scratch, rather than buy the thing that’s full of corn syrup made from the corn grown by a guy in Indiana under the yoke of Monsanto and dependent on federal subsidies. I’m talking about the choice to pay more per gallon of milk to know that the money is going to farmers who are treating their animals well rather than to the shareholders of an enormous company that buys up farms and consolidates them just as soon as organic food starts to look profitable. I’m talking about making this balance work by eating less meat and processed food, and shifting the savings toward the budget for organic vegetables and dairy.

Really, I’m talking about putting your money where your mouth is and making a commitment to a way of participating in the food provision system in this country that reflects your core values about workplaces, environmental impacts, and product quality. Yes, I know not everyone cares as much as I do about whose pockets the profits from my dollars go into at the end of the day (or the quarter), and that’s fine. But everyone cares about something that can be reflected in how we spend our money and obtain our food, and that’s really the larger point that Food, Inc. is making. Figure out what that thing is for you, and let it guide the way you shop and eat, whether it be workers or green spaces or farmers or pesticides. It may take longer and appear to cost more than the alternatives, but we’ll all be part of a happier and healthier society for it.

Food, Inc. screening