major REO Speedwagon jones

I woke up this morning with an REO Speedwagon song in my head. Not just any REO Speedwagon song, but the absolute best one, the one I always attribute to Chicago, since Chicago was my favorite band at age 9 and I therefore think that all great 80s rock ballads are by them. Sadly, they’re not. They’re mostly by REO Speedwagon. And sometimes by Journey.

So, this morning I popped awake at 6:15am, with YOU GOT ME STEALING YOUR LOVE AWAY, CAUSE YOU NEVER GIVE IT! booming through my head. Unfortunately, I don’t have any REO Speedwagon recordings, not even dubbed on tape. (Yes, I just used the word unfortunately with regard to our household’s lack of recordings by early 80s arena rockers.) My love of these bands dates from the days in elementary school when I went to bed with my clock radio, permanently tuned to Z96, crooning me to sleep. That was well before I had a cassette player, let alone any money to spend on music. You might also rightly assume, based on the number of times I’ve been persuaded to accompany him to Skinny Puppy shows (3), my partner shares this notable omission in his music collection. Which means, by 7am, I’ve been belting out the same two mistranscribed lines for 45 minutes now (YOU GOT ME CHASING THE YEARS AWAY, BABY WE CAN’T RELIVE IT) with absolutely no relief in sight, because, well, quite frankly, Napster is illegal now.

Problem not solved, I made my partner suffer through I MAKE YOU LAUGH, BABY YOU MAKE ME CRY all through breakfast and kept on with IT’S TIME FOR ME TO FLY I’ve got to set myself free TIME FOR ME TO FLY Baby, that’s just how it’s got to be on the walk to the mailbox and library. Luckily for him, it was raining so I wimped out on walking him all the way to the metro. Luckily for all of us, except maybe the teenagers next door who are likely trying to sleep in after talking in the street until the middle of night, LastFM came through in a pinch.

I wish I could tell you this sad tale of woe had a happy ending, but it doesn’t: after playing the song something like fifteen times in a row, the website cut me off and is now only giving me the 30 second teaser! If clearing my cookies or cycling the modem and getting a new dynamic IP address doesn’t work, I fear this means I may have to go see them in concert. Let’s hope it doesn’t come to that: so far, cookie clearing has done the trick!

major REO Speedwagon jones

living in the future with XM radio

The phones are small and in your pockets. The music is beamed to your car from outer space. Sure, not all the music, but the music on XM radio is, which is kind of weird and fun at the same time. Not that we normally have XM radio, because we normally don’t have a car. This year’s holiday rental car was kitted out, though, and we had a surprisingly positive experience with XM radio, for all that it’s an expense I would never in a million years incur in my own vehicle. In addition to the cost, satellite-based systems are something I wouldn’t sign up for because I happen to agree that the man can track you like a dog with GPS. If you know me, you know that would definitely be a bug, not a feature.

Since I discovered the radio setup before we left town, we drove completely CD-free this year. This turned out to be a little bit painful at times, as I had been planning to bring my favourite holiday CDs to pep things up a bit during the lows. The main low being, of course, the snail trail that was the Cross-Bronx Expressway. I know, I know: people in a hurry make an end run around the Bronx through New Jersey. Having lived in New Jersey for two summers in a row, I am always in a supreme hurry to leave the state, even if that means sitting in the Bronx for a while. I like the Bronx. I like the Cross-Bronx. I like the rivers and the locals and the emergency-use-only steps up to the streets. Also, this year we were driving a car with NY plates, so everybody let us into their lanes on the Cross-Bronx. We joked that NY plates worked for us in all locations: in NYC, drivers cut off the people with out-of-state plates and let us in; outside of NYC everybody gave us lots of room, perhaps out of fear that we’d haul off and bust a cap in their…rear. And, once we got to Westchester the traffic cleared up and it became clear that no one was actually going to grandma’s: everyone was instead going to the mall just outside of the city. Huh.

Getting back to XM radio: it turns out that some stations actually play the music we used to listen to. I say ‘used to listen to,’ because XM radio was (for us) a ginormous 1990ish nostalgia ride. Since my traveling partner is organized in some ways that I am not, he looked up XM stations online before we left, thereby being able to point us directly and smoothly to the single station that broadcasts the overlap in our musical tastes: Fungus. Unfortunately, it also broadcasts the sole category of music that lies outside of both our musical tastes: anything in those genres post 1995ish. Which meant we needed a backup plan. My backup plan included Lucy, which was a total sausage-fest but played all the things I used to listen to with the boys back home in 1990 yet never owned, and Sunny, which played all the hits of my childhood spent putting myself to sleep with the radio. My copilot’s backup plan included Fred and Ethel, which played all the more electronic and (I would say) whiny contemporaries of my beloved alt-rockers on Lucy.

For the most part, these stations came through and we were able to select music much more agreeably than on previous trips. I took a free pass on The Smiths and Smashing Pumpkins, he got a free pass on Creed and 80s duets, and both of us eventually agreed that there was such a thing as too much U2. As an aside, the love for U2 of the boys who program these stations was a bit beyond my ken. I don’t think of U2 as alternative at all, and yet they were the single most played band on every station (except Fungus, bless their hearts). We heard the hits on the more mainstream stations and the ‘obscure’ junk on the more alternative ones. Personally, I think this latter effect was an attempt to justify the jockeys’ love for such a mainstream band, but there’s a reason why the obscure stuff has remained obscure (I’m just sayin). In the beginning this worked out semi-well: I like the sing-along tunes, my partner likes the less well-known stuff. By the end of our trip, though, we were both totally full up on U2 and were changing the station before Bono’s first melodic groan could kick in.

Besides the U2 issue, the only other problem with the radio was that it cut out in the tunnels. Radio does that, you might say. Yes, that’s true, I would agree, except that this radio is coming to us from OUTER SPACE. Surely radio from OUTER SPACE can bust through a few puny feet of concrete and several tons of water, right? Apparently not. Even this had a bright side, though: we discovered that while I can’t always carry a tune or remember the real words to a song, I can keep a beat and hum a guitar like nobody’s business. Being able to do this to ‘Jane Says‘ on the Cross-Bronx was fun but not all that impressive; anyone in their 30s can do that, and since the Cross-Bronx isn’t actually underwater, the radio kicked in periodically to help us keep on track. No, I really impressed us both by being able to sustain ‘Glycerine‘ — a song whose name I wouldn’t have even been able to come up with absent the XM info feature — through the entirety of the Fort McHenry Tunnel without error. Granted, the riff is a pretty familiar one, but still: clearly I spent way more time sitting around doing nothing in the 90s than previously believed.

And, when we got home we threw on a CD and rocked out to my favourite Christmas song, and all was well in the world.

living in the future with XM radio

Icemakers of the Revolution

‘When the puppets cut their strings / there’ll be fireworks for the world to see / when the puppets cut their strings / there’ll be hell to pay in the ghettos of the whole damn world.’ — Icemakers of the Revolution


Diane, Tammy, and Shawny, at a show outside the Union in 1991.

I’ve referenced the Icemakers of the Revolution in passing, but they really deserve their own press. Fuzzy and Stephen were kind enough to collaborate and make available two of their albums in digital format, the first of which contains the aforementioned ‘Upset With The Set-Up.’ It also includes another of my favorites, ‘Panama,’ and the ever-popular (and still timely) ‘Growthrough,’ a protest against the Gulf War (I).

It would be fair to say that the Icemakers were one of my favorite bands. They were a local band when I was in high school, made up of Purdue students of various stripes — undergrad, grad, and alumni. Their sound varied from full on rockin’ out to an a cappella style. I saw them in just about every venue in town that didn’t require you to be 21 (or even 18): inside the Union, outside the Union, behind Von’s, in the Armory, and innumerable times upstairs at the Wesley Foundation. Despite carrying my camera with me nearly everywhere at that time, I only have half a roll of film of them, some 10 photos in all.

The members of the Icemakers were something like angry folk rock gods to those of us who were then 5 or 10 years younger (a span that is meaningless in my adult life). They were smart, funny, biting, and they trusted us to watch their cat when they went out of town. They were also unequivocally anti-war, pro-vegetarian, anti-racist and feminist, the political fathers and mothers of the kids who warm the cockles of my heart when I see them at protests with ‘no war but the class war!’ banners. In our small town, where the most successful college programs depended on big industry and government funding, they were a sign to me and my friends that we didn’t have to grow up and buckle under, that we could be only just beginning.

Being able to continue to see Icemakers shows was one of the few things I envied the people I left behind when I went away to college. I took their cassettes with me, but it wasn’t the same as their live shows. Since then I’ve grown away from folk as a genre, but I still pull the cassettes out from under the bench in the living room every once in a while, dust them off, and rock out.

Icemakers of the Revolution

upset the setup

Lately PJ, a friend of mine from college, has been rockin the local scene with DC Upset the Setup gear. Whenever I see the stickers on utility boxes around the city I am reminded both of him and of the music of my youth, ‘Kiss Me, Son of God’ and ‘Upset the Setup’ going through my head on a loop with PJ’s ‘This is DC.’

It’s hard to not have ‘Kiss Me, Son of God’ be the first thought whenever I come to face to face with politics here in our nation’s capitol. I am at heart a luddite, so I lack the equipment I would need to make a digital recording of the song from my cassette tape and convert it to an mp3 that I could give you. However, because it’s the two Johns we’re talking about here, you can still listen to the song, direct from their little corner of the web.

The song that always pops into my head when I see the stickers, ‘Upset the Setup,’ does not appear to live anywhere on the interwebs. Since it’s a 15 year old recording by a local Indiana band, Icemakers of the Revolution, released (as far as I know) only on cassette, that’s not surprising. I can point you to two former band members, Tammy — who married another one of my favorite local musicians and continued a career in music — Stephen — who’s now a professor.

The thing that strikes me the most listening to these old songs is how little things have changed. The Icemakers, along with the other local artists I loved, wrote dozens of songs — and participated in gazillions of actions — protesting the Bush policies and war of the early 90s. I could pick those songs up and plunk them down in new Bush era without having to tweak a single reference: war, unemployment, illiteracy, corporations taking over our food supply…it’s all still relevant. I try to be heartened by the acts of resistance I see around me every day, but they pale at times in the face of the constant and ongoing acts of lunacy.

On those days, it’s stickers on utility boxes that keep me sane.

upset the setup

alphabetizing for Rapider Than Horsepower

In honor of the possibility that I may be hosting someone I’ve known for over two decades and his band, I alphabetized our CDs.

Yes, we’ve lived in this house for over a year, and yes, they were alphabetized at the previous house. So, no, there’s really no excuse for why they haven’t been alphabetized by now. Ditto with our books, but, you know: it’s not writers who will be sleeping on my floor next week, it’s musicians. Thus, the CDs it was. The tapes under the bench will remain the same mess they’ve been for the past 15 years, however: consider yourselves informed.

I noticed, as I always do when we move and I have to re-alphabetize the CDs the next year, that somehow our rather eclectic collections combine into something almost coherent. I expect that just about anybody in their 30s could come to our house and find something to listen to. For two non-musicians, we like music. While we enjoy a fair chunk of each other’s music, the overlap in what we owned when we combined our collections was four CDs: Pretty Hate Machine, The Downward Spiral, the Machines of Loving Grace debut, and the soundtrack from The Crow. To our household, I contributed the (nearly) collected works of the Beastie Boys, Ani Difranco, Dag Nasty, Carrie Newcomer, The Cure and the rest of the Nine Inch Nails discography. My partner similarly contributed the (nearly) collected works of Skinny Puppy, The Smiths, New Order / Joy Division, and the Thrill Kill Kult. Between the two of us, we fill in the major alternative and punk bands of the 70s and 80s, almost every industrial band around, the major singer-songwriters of the 90s, key hip-hop artists, and well-known samplings from classical, jazz and country music.

Nonetheless, I’m sure it doesn’t hold a candle to the collections of actual musicians. Not to mention that the folks we’ll be seeing next week are still in their 20s, so they’re probably way too hip to want to listen to any of that old stuff. But at least they’ll be able to find it — in alphabetical order — if they do.

alphabetizing for Rapider Than Horsepower