new thermostat

This weekend’s big excitement was that we replaced our main thermostat, the one in the original house. We have two thermostats, but the second one (in the family room addition) only turns on the second circulator and doesn’t have the ability to kick on the furnace. There were a variety of issues with the old thermostat, but they can be summed up as: it didn’t really work.

Our happiness with the new thermostat can be summed up as: it works! It’s really kind of odd and satisfying to have the house temperature be maintained at a specific temperature. No more are we freezing and having to turn up the heat to get the furnace to kick on, nor do we wake up in the middle of the night in a sauna because it finally got cold enough to get the thermostat to work…and heat has been blasting out for hours. We’re hoping this will do wonders for our natural gas bill, but it’s already helped us to feel much more normal.

The only down side was that the installation required us to scuff up our nicely (newly) painted (yellow) wall. The new round backplate doesn’t quite cover the old rectangular hole, and the scraping off of bits of wallpaper that were hidden behind the old thermostat caused some wear that is visible now. I’ll paint it, but at a later point we really should take it back off and spackle and sand behind it. That would be the point when we get to improving of parts of the house that are perfectly functional and not in plain view. You know: later.

new thermostat

The Boleyn Inheritance, by Philippa Gregory

Like many people this side of the Atlantic, I discovered Philippa Gregory when The Other Boleyn Girl came out in trade paperback. I enjoyed it greatly, and have since read almost everything that’s available over here (the whole Tudor-era series, the Tradescant duology, and the totally trashy Wideacre trilogy). While I still become totally engrossed in them, I haven’t enjoyed her most recent books as much as the first two in the series (The Other Boleyn Girl, and The Queen’s Fool). As she’s written more, she’s moved from the style of those first ones — where the best-known historical figures are at the sidelines of the main action — to a more simple retelling of the well-known stories of the wives of Henry VIII, and of Elizabeth I. Frankly, I didn’t find that as interesting, but I’m sure the fact that I know that history quite well contributed.

Gregory’s prose, however, is certainly enjoyable, and I have always found her books easy to read. This latest volume expands upon two main themes introduced in earlier books: (1) Henry VIII was frightfully mentally ill, and (2) all the women in the Tudor court were total tramps. If either of these propositions is a stunning shock, I apologize for the spoiler. I figure it’s hard to spoil the ending of historical fiction, though — I mean, we all know who got beheaded and who didn’t.

All in all, I’d rank The Boleyn Inheritance at the bottom of this series, behind the two gardener books (which I’d rank between The Queen’s Fool and The Virgin’s Lover in quality), but still above the totally trashy Wideacre trilogy. I can’t imagine that any of her books are worse than the totally trashy Wideacre trilogy, but I still haven’t read A Respectable Trade, so I can’t say for sure.

The Boleyn Inheritance, by Philippa Gregory

Un Lun Dun, by China MiƩville

Un Lun Dun, the latest novel by China Miéville is lovely. Beyond enjoying the story, which I did, I am completely enamored of the useful illustrations. Not all of us can stand ready at any moment to pull up an image of, for example, a variety of mouthless beings. Thanks to the wee drawings, I don’t have to. The images also allow us to peek at another manifestation of Miéville’s rich imagination. I can just see him hunched over a notebook sketching away, and that image warms the cockles of my heart.

With the discussions around this book, it’s also been amusing to me to learn that he can’t seem to help himself with regard to including monsters, in both the narrative and the illustrations (note the venus flytrap in the above drawing). As with his adult novels, several of the imagined creatures endeared themselves to me through their connection to things I love: notably, the explorer and Skool, with their respective links to songbirds and the ocean. Others of the monsters were downright disturbing, although to a student of horror and sci fi, variations on undead creatures are par for the course. I find them creepy, and it’s a testament to Miéville’s writing that he manages to keep them so even in a young adult novel.

Monsters aside, if that’s possible, I enjoyed the book immensely. In the beginning, I found it hard to avoid mental comparisons to other books involving young protagonists, alternate worlds, and quests to be completed before one could return home; I got over that and got hooked on the narrative itself very soon into it. Un Lun Dun compares favorably to earlier works, and is endearingly modern in its sensibility, but I’m an adult now: it will never be the defining such narrative for me.

And, I had only a momentary disappointment that the tall blonde was not in fact going to be the one to save the day. I was kind of a sidekick myself, you see.

Un Lun Dun, by China MiƩville

coffee, fair trade, and me

As much as I rely on it each morning, I recognize that coffee is a luxury item. Ditto with sugar and chocolate, but we’ll get there. After spending time in Europe, I couldn’t go back to coffee dripped through paper. Similarly, if it weren’t for the Greek students introducing me to the wonders of the stovetop espresso pot, I might not have made it through my year in England, land of instant ‘coffee’.

During my first year back, my final year of college, I relied on my little curvy pot (still my favorite after all these years) and pre-ground Lavazza (which is, of course, excellent commercial coffee). Following graduation, I moved to the West Philly neighborhood where I’d been spending much of my time. I became a member of the Mariposa Food Coop there, where what to my wondering eyes did appear but bulk bins of amazingly good coffee beans. Although I still didn’t have my own grinder, I was hooked on the Bolivian beans (Full City Roast), and was delighted to find them again at the People’s Food Coop when I moved to Ann Arbor the following year.

Back then, I didn’t know much about the history of Equal Exchange as a company; before the establishment of third-party certification through TransFair, the ‘Equal Exchange’ name seemed more like a fair trade label and less like a brand name. Mostly, it was difficult to find organic coffee beans at all; consumers were just starting to be educated about the fact that ‘gourmet’ coffee was both better tasting and more expensive because it was grown in its natural shade, and commensurately slower to harvest. Being already addicted to high quality coffee, I was completely happy to pay gourmet coffee prices for beans that were organically grown and fairly traded. Truthfully, it seemed like something too good to be true.

It wasn’t a far stretch for me to extend the food politics of the U.S. that had led me to start eating vegetarian and organic—unsafe and unfair farm labor practices, pesticide overuse, the growth of corporate farming, pollution of land and water resources—to the global politics of the cash crops of coffee, sugar, and cocoa. Giving up meat had required a conscious awareness of what I was eating and what went into producing it; that awareness began with animal farming, but I carried it into a consideration of the origin of my plant-based products as well. Buying these products was never about whether I was getting more vitamin C in an organic orange versus a commercial one; it was about knowing that no one was getting cancer from crop-dusting so that my juice could be a little less expensive. Principles of ethical consumption are such a basic part of how I make food choices that it’s hard for me to relate to people who seemingly don’t care where their food comes from, or aren’t at all concerned about whether what they paid for it matches the ‘true’ costs of producing it.

Returning to coffee: flash forward to ten years later, and I am completely at the mercy of my fairly traded, organic, shade grown coffee bean supplier. I haven’t abandoned drip coffee altogether — we do have a drip coffeepot, acquired during my partner’s first post-doc, for which I faithfully grind the beans fresh each day. We use a reusable gold filter in it, which makes it taste more like presspot coffee: the pot and filter combined were probably the best $30 I ever spent, as we’ve used them nearly every day for nearly a decade now, and they are still going strong (besides having to replace the pot once after an unfortunate encounter with a porcelain sink). On the days when I haven’t cleaned the coffeepot the night before, I do use my old school presspot (replaced last year after an unfortunate encounter with a ceramic dish). And on the day after that, if I’ve been particularly lax about doing the washing up, I go back to the little stovetop pot, and am reminded of how much I like americanos made that way.

I haven’t gotten to the point of using only bottled water to make coffee (most likely because I haven’t gotten to the point of drinking bottled water in my house), but I can’t be budged on which beans we purchase. While I buy almost entirely organic, and am happy to support a variety of processed food companies and local farms in their choices to go organic, I only buy fair trade certified coffee, sugar, and cocoa. It’s precisely because these inessentials are such a big part of my life that it’s so important to me to participate in their consumption in an ethical way. I’m not moved by the claims of retailers or roasters that their beans are fairly traded despite their choice not to become third-party certified. It may or may not be true, but that’s not the issue for me: transparency and accountability are important elements in a community-oriented business practice, and I choose to give my $8 per pound to those companies willing to open themselves up to the external evaluation.

Of course, I know that I’m getting the highest quality product as well, so it’s not like there’s any hardship involved. I’m easy: chalk it up to food snobbery, if that goes down more smoothly than anti-capitalism. I just find it amusing and rewarding that it’s possible to have both in the same cup.

coffee, fair trade, and me

Deliverer, by C. J. Cherryh

On Friday, I took a break from the other novels I’m reading and whizzed through C. J. Cherryh‘s Deliverer, the latest in her Foreigner series. This is the only series of hers I’ve read, as I was drawn to the first contact elements. I know there are other series of hers that include aliens, I just have them mentally categorized as space war books, which doesn’t at all appeal to me. I still think of these books as first contact books, despite the fighting and chasing that is the major plot model, as that’s pretty much the only type of science fiction that includes space travel and aliens that I enjoy reading. The distinction between the books I enjoy and others involving space travel and aliens tends to be the sociological or anthropological slant, rather than the ‘I chase your spaceship with my spaceship and shoot guns at you’ storyline, and by sheer numbers of pages devoted to one over the other, this series still tilts my way. It’s not the best example of this sub-genre, though: my favorite books of this kind remain the Xenogenesis trilogy by Octavia Butler, The Color of Distance by Amy Thompson, and The Sparrow by Mary Doria Russell, all of which are excellent at imagining and conveying the experience of first contact.

In the beginning, Cherryh’s series seemed more like those. Sadly, it doesn’t anymore. I am still invested in the characters, and curious about the plot development (such as it is), but I have to confess that I skip large chunks of the narrative as I go along (here is where academic reading skills come in handy). My train of thought goes something like: ‘woe is Bren, blah blah, scary is the world, blah blah, enemies are everywhere and the weight of the world is on my shoulders, blah blah, now is when we ride the mecheiti at breakneck speed through the wilderness, now is when we try to kill the bad guys in the dark, here is where the goodies prevail, oh look, the book’s over.’ In terms of plot movement, I think she’s now managed to stretch the events of a week (two weeks? three weeks at most…) over the course of three books. Movement at this pace leaves many pages free for Bren’s mental problems, er, worrying. In 1994, the idea that a male protagonist could be introspective and concerned about flubbing things up royally was endearing and somewhat different than usual. Now, in the 21st century, we’re confronted by whiny, insecure men at every turn, and it’s really not that interesting anymore (not that it ever was all that interesting outside of science fiction).

Don’t get me wrong: I’ll keep reading the series (and hope that the next three-book-arc gets us back into space). The dragging is not bugging me anywhere near the level that the second series of Brin’s Uplift books eventually did (and the first three were so good), leading me to abandon that series in disgust. The books just seem to be getting lighter and more formulaic as she goes along, which is a shame, as the world she’s built retains potential.

Deliverer, by C. J. Cherryh