Kushiel’s Justice, by Jacqueline Carey, is the latest novel in a series that I’ve been reading for a few years now. With each new volume, the books have declined, which is a shame because the first, Kushiel’s Dart is engaging and clever and compellingly well-told. The plot, however, is quite involved, and this element is where the later books decline in quality. Rather than having the roaming and involved adventure plot of the first book set the stage for more sedate and introspective plots in the later books, each subsequent installment sends the characters to even farther reaches of the world on even more preposterous pretexts. Don’t get me wrong: Carey is an excellent writer, with an impressive ability to describe and map cultures and politics. The later books seem at times to be driven more by that ability than by a believable plot, even for a fantasy novel. This has meant that the affection I hold toward the characters determines my willingness to continue reading.
The introduction of Imriel in the third book of the initial trilogy definitely perked up the storyline. The second trilogy, of which Kushiel’s Justice is the second book, shifts to his narrative voice with less success. The character of Phèdre is so vividly drawn in the first book that it is difficult to read a first-person narrative set in that world without hearing her voice. The character of Imriel is also much more constrained by circumstance than Phèdre. As a result, his choices are more traditional, and can usually be summed up by ‘whether to conform or to resist.’ In resistance, Imriel is guilt-ridden; in conformity, he is sullen. Neither of these modes is particularly appealing in an adult. I can’t say that I would recommend the Imriel books alone; it is only because I have become invested in the fate of the main characters over the course of thousands of pages and several years of my own life that I await the next installment, promised for next year. I have hopes that the third book will rely more on political intrigue and less on haring off around the globe, and therefore be more interesting. Which is to say, ‘more like the first three.’
Despite being very invested in this series, I didn’t at all enjoy The Sundering duology, and can’t recommend it. Unless you like really derivative stuff along the lines of Guy Gavriel Kay‘s Fionavar Tapestry trilogy, in which case, go for it!